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by Erdem Gorgun on Nov 18, 2019
Once a chaotic student house, Kibi Wright’s elegant home is now the perfect setting for peaceful celebrations with family and friends
Call me Mother Christmas – it’s what I’m known as around here,’ says Kibi Wright as she welcomes you into her house on one of Bristol’s Georgian terraces. Candy pink and adorned with a silver wreath, the door stands out among its more sober neighbours. Inside, the festive theme continues with candles, garlands, baubles and a vertigo-inducing tree glowing with fairy lights in the elegant first-floor sitting room. When Kibi and her late husband Mark first viewed the house in 2001, they needed all the power of their imaginations to see how it could work as a home for them and their two children, Eliza and Oli. ‘It had been used as student accommodation,’ says Kibi, ‘so there were four kitchens and all the main rooms had been divided.’ NEW CHAPTER Despite wanting to restore the house to its original layout, the couple still had to get permission to turn it back into a single home as it had been listed as flats in the Seventies. The restoration took six months, with a few horrors uncovered along the way. ‘The builders discovered a carjack holding up a beam in the attic. That meant the roof had to be redone, which wasn’t something we had factored in.’ Fortunately, all the original features, including fireplaces, cornicing and shutters, had been preserved, albeit hidden behind stud walls and fire doors. ‘Once they were uncovered and restored, the whole house had a completely different feel,’ remembers Kibi. Having waited patiently for the building work to be completed, Kibi was finally able to turn her attention to the decoration. ‘It seemed like quite a grand house after our old flat, so I wanted an elegant scheme in keeping with its origins,’ she says. ELEGANCE REIGNS Today, classic Farrow & Ball-painted walls sit alongside more extravagant papered walls, while antique pieces seem perfectly at ease next to contemporary designs. ‘I have no problem with mixing things up,’ says Kibi, who draws a lot of inspiration from her travels. ‘I saw the most beautiful etched-glass door at a parfumerie in Paris and wondered how I could recreate it at home.’ She picked up two glazed doors at a local reclamation yard and enlisted an artist to design and etch them in a similar style. ‘I’m so pleased with them as I wanted a thoroughly glamorous and indulgent bathroom where I could disappear occasionally to escape the family hubbub!’ Overthe years, the house has adapted to a growing family, which now includes Hector,14, and Oscar,12. Mark passed away in 2017 and the family are adjusting to life without him. ‘I did wonderif we should move, especially now the oldest two are at university,’says Kibi, ‘but this house has been such a haven for us, as well as holding so many memories, that it wouldn’t be right to leave.
News
by Erdem Gorgun on Nov 17, 2019
When Jenny Lilley and her fiancé Mark swapped town living for life in the country, they fell in love with a whole new interiors look.
With its collection of antiques and classic palette, you would expect this Georgian cottage to be the home of a seasoned period property decorator, but that could not be further from the truth. ‘Although I grew up in the countryside,’ says Jenny Lilley, who is a lawyer, ‘my fiancé Mark and I lived in a modern flat in central Winchester before we came here in 2015. We filled that place with contemporary furniture that suited our tastes back then, but since moving here, and embracing a different kind of life, we’ve replaced our modern pieces with furniture from local auctions and antiques fairs like Kempton.’ Jenny did take advice from a period property expert, however. ‘I remember reading an interview with Cabbages & Roses founder Christina Strutt,’ explains Jenny. ‘She advised staying traditional in your colour choices when you have an old home, so I did a lot of research into the shades you would expect to see in a Georgian property – muted tones like dusky greys and various shades of off-whites. I love the way these colours change with the light, so I knew I wanted to use them throughout the house and even on our fences outside!’ But before Jenny and Mark began to decorate, the building needed some attention to ensure it suited their needs. Upstairs an airing cupboard was sacrificed for a more spacious bathroom, and a landing cupboard was combined with what is now a nursery for the couple’s six-month-old son Teddy. Mark also installed a new bathroom, complete with a roll-top bath, and removed old carpets to reveal original floorboards. Sash windows were also fitted throughout the cottage. But is wasn’t all plain sailing as the couple did hit a problem when they discovered a hole in the roof. ‘That wasn’t the best day,’ recalls Jenny, ‘but we had some fantastic tradesmen friends who pitched in to fix it. We don’t know what we would have done without them.’ When the structural work was finished, Jenny could start doing what she enjoys most of all – choosing the furnishings. ‘It now saddens me that I’m running out of places to put any more furniture, as I like the thrill of finding one-off pieces,’ she says. ‘I would really love to start a vintage furniture and homeware business in the future, but for now I enjoy posting things on my Instagram account – @wallflower_cottage.’ The couple love their new life and have fallen hard for the cottage, as well as the surrounding countryside. ‘There’s a real sense of peace and calm here, and not a day goes by that we don’t think how truly lucky we are to live here,’ says Jenny. ‘All the work seems like a distant memory and we’re just really enjoying living in the house and being a family, especially this Christmas – our first one with Teddy.
News
by Erdem Gorgun on Nov 17, 2019
When Jenny Lilley and her fiancé Mark swapped town living for life in the country, they fell in love with a whole new interiors look.
With its collection of antiques and classic palette, you would expect this Georgian cottage to be the home of a seasoned period property decorator, but that could not be further from the truth. ‘Although I grew up in the countryside,’ says Jenny Lilley, who is a lawyer, ‘my fiancé Mark and I lived in a modern flat in central Winchester before we came here in 2015. We filled that place with contemporary furniture that suited our tastes back then, but since moving here, and embracing a different kind of life, we’ve replaced our modern pieces with furniture from local auctions and antiques fairs like Kempton.’ Jenny did take advice from a period property expert, however. ‘I remember reading an interview with Cabbages & Roses founder Christina Strutt,’ explains Jenny. ‘She advised staying traditional in your colour choices when you have an old home, so I did a lot of research into the shades you would expect to see in a Georgian property – muted tones like dusky greys and various shades of off-whites. I love the way these colours change with the light, so I knew I wanted to use them throughout the house and even on our fences outside!’ But before Jenny and Mark began to decorate, the building needed some attention to ensure it suited their needs. Upstairs an airing cupboard was sacrificed for a more spacious bathroom, and a landing cupboard was combined with what is now a nursery for the couple’s six-month-old son Teddy. Mark also installed a new bathroom, complete with a roll-top bath, and removed old carpets to reveal original floorboards. Sash windows were also fitted throughout the cottage. But is wasn’t all plain sailing as the couple did hit a problem when they discovered a hole in the roof. ‘That wasn’t the best day,’ recalls Jenny, ‘but we had some fantastic tradesmen friends who pitched in to fix it. We don’t know what we would have done without them.’ When the structural work was finished, Jenny could start doing what she enjoys most of all – choosing the furnishings. ‘It now saddens me that I’m running out of places to put any more furniture, as I like the thrill of finding one-off pieces,’ she says. ‘I would really love to start a vintage furniture and homeware business in the future, but for now I enjoy posting things on my Instagram account – @wallflower_cottage.’ The couple love their new life and have fallen hard for the cottage, as well as the surrounding countryside. ‘There’s a real sense of peace and calm here, and not a day goes by that we don’t think how truly lucky we are to live here,’ says Jenny. ‘All the work seems like a distant memory and we’re just really enjoying living in the house and being a family, especially this Christmas – our first one with Teddy.
News
by Erdem Gorgun on Nov 16, 2019
Sallyann Cox used her creative talents to extend a small bungalow and make the most of the delightful coastal views.
Idon’t want to live in a bungalow – I’m not ready for that!’ was interior decorator, stylist and maker Sallyann Cox’s reaction when her husband R ichard suggested it. It was back when the couple were regularly spending a few months at a time sailing around Greece and knew a lock-up-andleave home would fit the bill. The idea became a sad necessity, however, when Richard was diagnosed with motor neurone disease and had to use a wheelchair. ‘We’d looked at so many places, none of which were suitable,’ remembers Sallyann. Finally, and with no real enthusiasm, she went to see a small, two-bedroom bungalow almost untouched for nearly 50 years and had a change of heart. ‘During the viewing, I walked into the cluttered garage and noticed a tiny window on the side – one glimpse at the view and I realised there was so much untapped potential here,’ she recalls. The house itself had effectively been built facing away from ever-changing views across fields to the Salcombe-Kingsbridge estuary much beloved by the couple. ‘I knew that by doing some rejigging to the garage, I would be able to make a special place where Richard could enjoy sitting and watching the ebb and flow of the tides, and the boats down on the water – it would be a nourishing environment.’ In the end, Richard was not able to move in as his illness progressed quickly, but, after his death, Sallyann decided to continue with their plans. ‘It was very hard to be there without him and, for the first couple of years, I didn’t do much at all apart from replacing the bedroom window with French doors onto a little balcony; I had a constant need to get outside rather than be cooped up, so opening up the house as much as I could became a priority.’ Two years later, when she felt able, Sallyann began work on the rest of the house. The garage and carport were demolished and replaced with a sleek extension. ‘I knew I wanted an open-plan space where I could cook, eat and relax,’ she says. The original rooms were reorganised making an extra bedroom and guest bathroom, as well as a large, bright hall where Sallyann makes lighting and mirrors from items she salvages on nearby beaches. ‘I’ve always been drawn to the sea, whether living on it or near it and I’m always out collecting all manner of things!’ Her creative eye has also been used on the interiors. ‘I’ve designed and decorated shops and restaurants in the past, invariably in vivid colours with a Mediterranean influence, but in this house, I’ve been more restrained with lots of neutrals. I decided to think of it as a blank canvas that I could add to or remove from if I felt like a change.’ There are still pops of colour evident in the soft furnishings and the odd wild wallpaper and vintage find. ‘I used to have a lot more furniture and general “stuff” but we sold practically everything when we went off sailing. I had to start again which is surprisingly cathartic, if expensive!’ Renovating the house also proved to be a turning point. ‘It was completed in nine months and I barely had time to think about much else as there were so many decisions to be made but it was good to engage with something,’ she says. So has Sallyann been converted to bungalow life? ‘I actually feel really lucky to live here,’ she says. ‘The house makes for such easy living and with beautiful views, too – it’s an absolute privilege.
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by Erdem Gorgun on Nov 15, 2019
Geri O’Toole and Cathal Glynn pooled their skills to turn a derelict cottage into a bright family home.
Design is in Geri O’Toole’s DNA. Her father set up a furniture retailer in Limerick named Browsers, which Geri runs today, and her late mother was an interior designer for the business. Geri’s childhood was steeped in swatches, mood boards, antiques and fortuitous saleroom finds. ‘I used to work in the shop during the holidays. I just loved being there,’ says Geri, who now also runs her own interior design business, Geri Designs, from the shop. She found her match in her husband Cathal Glynn, a joiner whose skills proved useful when the couple bought a ramshackle, single-storey cottage in Castletroy five years ago. ‘Mountshannon House was built in the 18th century and burned down in the Twenties. Our house was built on the estate after the fire,’ explains Geri. ‘The property was derelict when we first saw it. But we like a challenge, so we bought it.’ The couple – who have a four-year-old son, Finley – have transformed the house, knocking through to create an open-plan kitchen-diner/living area on the ground floor. They extended up to the roof space to create an additional floor with two bedrooms and a bathroom. ‘We didn’t need planning permission because we stuck with the original footprint,’ says Geri. Instead of adding a third bedroom upstairs, Geri reconfigured the floor plan to include a vaulted ceiling, adding unexpected drama to the living area downstairs. She designed the new staircase using urban materials that contrast with the wide oak beam, salvaged from a hotel in Cork owned by Geri’s father, and exposed brick walls, which lend a rustic warmth to the area. ‘I wanted to balance the clean lines and modernity with natural materials – I don’t like too much perfection,’ says Geri. Cathal made sash windows using the original weights, and the existing brick fireplace downstairs was restored. ‘We tried to preserve as much of the old building as possible. I love these original features; they give the house soul,’ says Geri. An understated palette underpins the calm, light feel of the home. Monochrome tranquillity abounds upstairs, where a roll-top bath sits against walls papered in a motif of swirling clouds. ‘I love the way the wallpaper makes me feel as though I’m floating up on high.’ The pale backdrop is warmly sprinkled with antiques and heirlooms gathered by Geri and Cathal over the years. Silvered mirrors illuminate the sitting area, soft Persian rugs adorn the floors, and modern artworks by Irish artists, such as Markey Robinson, enhance the rooms. ‘The way we decorate has changed so much. People used to stick to one look, but nowadays we’re more open to mixing and matching,’ says Geri. Nearby, a set of dilapidated outbuildings are in need of attention. Geri and Cathal have various ideas: the barns might become a holiday rental, or a workshop. Whatever their decision, one thing is clear: a transformation is in store.
News
by Erdem Gorgun on Nov 14, 2019
Magnus Pettersen and Ella Jones gave a tired Victorian property a contemporary twist with a clever use of vibrant colours and natural materials.
When Magnus Pettersen and Ella Jones upsized from a small modern townhouse to a larger London property, they were looking for a project. The couple, who met 10 years ago, had completed three renovations before buying this three-bedroom Victorian terrace. ‘Its converted loft, extended kitchen and big garden were huge draws for us,’ explains Ella. They also loved the location on a tree-lined road. ‘It’s very peaceful and close to lots of green space,’ she adds. Used for shared occupancy for years, the house was severely neglected, with strippedout period features and a confused groundfloor layout. ‘There was a bathroom in the middle of the sitting room,’ Ella recalls. Magnus is an award-winning product designer and Ella is a fashion designer working for global brands, so they brought a strong creative vision to reimagine the property. They lived on-site throughout the year-long renovation, acting as interior designers and project managers. Magnus and Ella worked alongside their builders, who were also able to complete all of the carpentry to a high standard. Knocking down the internal walls at ground level turned small rooms into bright, open-plan living spaces. The couple were keen to lay concrete flooring, so they dropped the floor level at the front of the house to meet the kitchen, where there had been a step down. They also moved the kitchen units and added double doors out to the garden and a skylight window above. To fit the supporting beam for the window, they had to move the staircase. ‘The old stairs were rickety and falling to bits,’ explains Ella. So the couple designed a new staircase for the builders to make. ‘They also made the kitchen unit doors that we planned to look more like furniture than a fitted kitchen,’ explains Ella. Keen travellers Magnus and Ella have filled their home with treasures from their trips and many of their interior ideas come from abroad. Throughout, beautiful Moroccan rugs add warmth and texture. The rugs are all from Ella’s extensive collection, which she sells in her east London shop, A New Tribe. A visit to Japan in 2017 influenced their design of the wood and reeded glass partitions that partially divide the kitchen and sitting room, while also framing the area by the front door where the hallway originally stood. ‘The reeded glass panels are a nod to mid-century open-plan homes and create a subtle division with a lighter effect than solid walls,’ says Ella. Inspired by the Swiss-French architect, Le Corbusier, the couple planned their colour palette using his Colour System, where every hue can be combined. The vivid blue wall in the kitchen-diner helps to zone the space and contrasts with the earthy neutrals, greys and blacks used elsewhere. On the first floor, they turned a bedroom into a bathroom, removing the ceiling to fit a pitched roof and adding a large window. The bathroom walls were finished with the tadelakt-style lime-based plaster typical of Moroccan bathrooms, and the pair designed a reeded glass shower screen to echo the ground-floor partitions. ‘Completely transforming a property is so satisfying,’ Ella says. ‘But it was such hard work. Next year we’re planning a holiday instead.
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by Erdem Gorgun on Nov 13, 2019
Victoria Gedge’s goal was to preserve her home’s history while making it practical for modern living.
The one thing Victoria Gedge noticed when she viewed her future home for the first time was its smell. ‘I said: “We must buy it, because it smells like a National Trust property”,’ she says. ‘My husband Dale replied: “Damp is what you can smell,” but I was sold.’ They were looking to upsize after their wedding in 2013, as their current home could no longer provide enough storage to suit their needs. The couple were keen to remain in the same area of Norwich, but were on the hunt for a house with three bedrooms and a hallway entrance. ‘The type of property we had in mind isn’t hard to come across in Norwich, however there weren’t many within our price bracket,’ says Victoria. ‘Each one we viewed required a compromise of either size or location, until – unbelievably – we found our dream home right around the corner for an affordable price. It seemed too good to be true.’ Victoria and Dale made an offer the very same day, but it had already been sold. Disappointed and disheartened, they put their search on hold and even considered a loft conversion in their current home instead, but the universe had other plans for them. ‘By chance, we were walking along a tiny one-way street near the city centre one day and saw a “For Sale” sign poking out of the bush in a front garden,’ Victoria recalls. ‘We went straight on Rightmove to see the price, but it was way over our budget. We viewed it anyway, and I fell completely in love with it.’ Dale needed a little more convincing, though the promise of a games room in the cellar sealed the deal, and after some negotiating they managed to secure the house. But the excitement – or, more accurately, drama – was far from over. Victoria and Dale moved in just before Christmas to no double glazing and just a smattering of radiators. ‘I remember being completely freezing while wrapping gifts, and using candles to try and heat the living room,’ says Victoria. The house required seemingly endless work, and being Grade II listed only made matters more complicated. Consent was required for many a project to begin, while some renovations were off the cards altogether. The chimney, which Victoria had planned to restore in order to install a log burner, was a gust of wind away from collapsing onto the roof, and a leaking tap in the upstairs bathroom saw the entire room and ground floor hallway flooded. By far the biggest challenge was renovating the cellar. To solve its damp issues, the couple decided to get the room tanked, but despite being given the go-ahead in advance, a conservation officer – who turned up at the house unannounced after the procedure – informed them that they needed to apply for listed building consent, which would see work put on hold for six weeks. ‘During that time we had some extreme rain and the tanking failed,’ says Victoria. ‘The new floors had wet patches and the plaster was soaking, but the company completely washed their hands of it. I think my tears could have flooded the rest of the house.’ With basement woes eventually resolved and an extension underway that meant rejigging their brand newkitchen, Victoria took on the master bedroom. ‘As I was deciding on what to do with the floor and furniture, Dale was flying out to Sierra Leone as an NHS medic to assist with the Ebola crisis,’ she recalls. ‘I decided that I could at least have the bedroom completed for when he returned.’ Friends and family popped by to pick up a paintbrush and pour cups of tea, and the room quickly came together. Restoring their charming home has been a labour of love, and while the house isn’t quite finished, it has a whole new identity that is classic in style and sympathetic to its history. Plus, both Victoria and Dale adore it. ‘A house which throws as many curveballs as this one could test any relationship, but we’ve laughed and cried our way through the renovations together, and have come out the other side still as happy as we were when we purchased it,’ says Victoria.
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by Erdem Gorgun on Nov 12, 2019
Memories of Italy inspire the tailored redesign of a private terrace in Montreal.
For 23 years, Dominic Monaco avoided his garden, but who could blame him? “It was a mini forest on a tilted slope,” he says, describing the tangle of overgrown cedars that grew on the incline just behind his home in Westmount, Que. When he did brave his side yard, he had to walk down steep stairs that led to a small, dark terrace with crumbling stone walls. In 2016, Dominic, who runs an auto parts company, finally decided to tackle the mess. “I thought maybe I would fix the wall and do the rest in phases,” he says. That short-term solution was tossed aside, however, after he met with landscape architects Sophie Robitaille and Teressa Peill. Impressed by their ideas, he recruited the duo for a full-scale reimagining of his outdoor space. “His house is modern, minimal and square, so my initial instinct was to respond to that architectural style,” says Sophie, whose first proposal detailed a rectilinear garden design. “Then Dominic said, ‘I’m Italian. I need my dream garden to hearken back to my roots.’” He also wanted the garden to be done in the warm, sunny hues of Tuscany to match his memories of dining alfresco among cypress and citrus trees. The garden took five months to build, with Alfonso Campisi as project manager, landscape architecture by RobitailleCurtis and landscape contracting by L’Artisan. To set the mood, Sophie and Teressa’s plan involved replacing the old concrete stairs with a curved design that gently leads to a terrace below. “The stairs offer a pleasurable experience,” says Sophie, encouraging you to meander, stop and stare at the cityscape beyond or admire the lush trees. Hemlock and river birch, hay-scented ferns, white Brunnera and a Japanese maple now grow along the stairs, bringing texture and vibrancy. In total, the landscape architects planted 52 trees on the property (including at the front of the house), along with shrubs and perennials. “Unlike a wild English garden, the planting wasstructural,” says Sophie. “Its layers create a sense of depth and privacy.” When you finally arrive at the bottom of the stairs, two distinct zones take shape on the terrace. A dining table, which perfectly fits the space, sits under the dappled light of a dramatic pergola built of Western cedar. Next to it, an outdoor sofa and deep, comfy armchairs invite lounging with digestifs. A low wall built of pale yellow Ducharme stone and topped in Adair limestone coping defines the perimeter and, instead of paving stones, Sophie chose a finely textured ground covering of granite and resin, which has a soft feel underfoot. Since the garden’s redo, Dominic heads to the terrace as often as possible. “Every morning after exercising, I walk the entire garden circumference in peace and quiet, taking it all in with an espresso,” he says. “It’s a perfect way to start the day.''
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by Erdem Gorgun on Nov 11, 2019
Elisabeth and Aldo Ciarrocchi’s inviting family home makes the most of its industial heritage.
Elisabeth and Aldo Ciarrocchi’s daughter Isabella, now 11, was a toddler when they began house hunting, and Elisabeth was pregnant with their younger daughter Piera, now eight. ‘We were living in small flat not far away, and all we knew was that we needed something larger for our family,’ says Elisabeth. ‘We both liked the idea of warehouse-style living and as soon as we walked in here, we fell in love with it.’ When the Ciarrocchis got the keys to the property, it was desperately in need of some TLC. ‘The ground floor was covered in laminate and there was a basketball hoop hanging from one of the posts,’ Elisabeth reveals. ‘The kitchen was cluttered with wall cabinets and it had a low bulkhead ceiling to accommodate the sunken bath in the bathroom above.’ After moving in nine years ago, and replacing the flooring throughout with reclaimed wooden floorboards sourced from Crosby Hall in London’s Cheyne Walk, the couple delayed renovations until 2016. ‘It was important for us to live in the space first, so that we could discover the best way it would work for us,’ says Elisabeth, who together with Aldo, runs reclamation business Encore Reclamation. In this time, they tried to find an architect who would assimilate their ideas. ‘We met with five architects,’ says Elisabeth. ‘They were all great, but one in particular seemed to really listen and understood that we wanted to keep things simple, plus he is local, which was handy when it came to picking up samples. When we were ready to start work, we had a very clear idea of what we wanted, so the internal design became a real collaborative effort.’ The layout of the large double-height living space didn’t change, but has been made more flexible. In conjunction with Space Group Architects, Elisabeth designed the kitchen peninsular unit so that it could be moved around to work as an island when she fancied a change of scene, and when the space needed to be opened up for entertaining. The dining table was put on wheels for the same reason. On the first floor, the walls were pushed back to widen the mezzanine, and the vast bathroom was divided into two to create an en suite to the children’s bedroom. The internal windows within each room that open on to the mezzanine were also repositioned and widened to draw in more light. The budget was tight, but Elisabeth’s desire to retain the building’s factory feel helped keep costs down. ‘I like the unfinished look,’ she says. ‘Whenever the builders wanted to put the finishing touches on something, I told them not to. I didn’t want anything to look sleek and polished.’ She also applied these design principles to the kitchen units. ‘As the builders were running behind schedule, they fitted the kitchen door fronts temporarily, for Christmas,’ she explains. ‘The plan was to take them off and paint them later. But once they were fitted in their pure MDF moistureresistant state, and finished with shellac we liked how they looked. The kitchen fitter thought I was crazy, but he’s grown to like the style, too, and is fitting similar kitchens elsewhere!’ When it came to furnishing the property, most of the vintage pieces were sourced from eBay, and Elisabeth and Aldo also picked up bits and pieces from car-boot sales and through their reclamation work. Now that the renovation is finished, the couple are delighted that their vision for the apartment has become a reality. ‘We really wouldn’t have done anything differently,’ says Elisabeth. ‘It’s perfect for us as a family.
News
by Erdem Gorgun on Nov 10, 2019
A Toronto designer escapes an overheated housing market and creates her own perfect weekend escape on the cooler shores of Lake Huron.
I just knew this was it!” says Toronto designer Tiffany Piotrowski, describing her first visit to the cottage. “It was only the second property I saw, and I put in an offer right away.” Other prospective buyers with less imagination may not have felt the same way. The interior left much to be desired, with dark wood panelling, popcorn ceilings, and orange and brown patterned carpeting. However, the location couldn’t be beat: the 800-square-foot cottage was just two blocks from the beautiful beaches of Lake Huron and a five-minute walk to the main street of Sauble Beach, a small town in southwestern Ontario. In 2018, the principal designer of Tiffany Leigh Design had expanded her Toronto property hunt out to cottage country as she searched for more affordable real estate. She envisioned a place that could be a weekend getaway, as well as a desirable Airbnb property — renting it out could recoup some of her renovation and mortgage expenses. “Looking at other listings in the area, I saw a gap in the market for an updated, aesthetically pleasing cottage rental,” she says.
MAKEOVER
To keep the budget under control, Tiffany and her parents tackled most of the work themselves, going up on weekends to paint, and install tile and new laminate flooring. The deck off the kitchen was expanded to make more room for outdoor grilling, and Tiffany uncovered flagstone on the property, which she used to pave an area for a cosy firepit. Cottage ownership did come with some unforeseen — and expensive — surprises: ripping up the carpeting exposed asbestos tile, which required professional abatement. The property also uses well water, which is high in iron and can stain bathtubs and sinks a rusty red. “We had to install an iron filtration system and a new septic system, which was pricier than we had anticipated,” says Tiffany. Despite these bumps in the road, she kept her vision firmly in mind. “I didn’t want it to look too traditional and cottagey. I wanted it to feel more coastal, like a beach house.” She kept to a soothing palette of whites and soft blues and natural textures of jute, seagrass and rattan. Many of the furnishings are thrift store finds given new life with a coat of paint. “I don’t think furniture at a cottage should be too precious — little nicks and dings are fine and give it a relaxed feel,” says Tiffany. After nearly a year of renovations, the cottage is now open for business and booked solid for the summer. “I might get to use it in September!” she says with a laugh.
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by Erdem Gorgun on Nov 09, 2019
Emma Hatfield Watkins’ use of a subtle palette and thoughtful touches brought the character back to her elegant, much-loved 18th-century property.
When Emma Hatfield Watkins’ husband, Iain, was a teenager and mowing his neighbour’s lawn to earn pocket money, he never imagined that, one day, he would buy the house he’d often admired from across the garden. Over the years, the property, which is surrounded by barns, has witnessed a number of reincarnations. ‘During the Seventies, an occupant sold the house and moved into one of the barns which they’d converted,’ explains Emma. ‘The surrounding garden was then divided up between the two owners.’ In the late Eighties, Iain’s family bought that barn and he converted the adjoining stables into his first home. When Emma and Iain got together in 2004, she moved into the stables with Iain. Captivated by the tranquillity and charm of this idyllic, rural location, a year later, when the pair discovered that the adjacent house was on the market, the news instantly piqued their interest. ‘Although the stables were great, we needed more space,’ says Emma. ‘This was a chance to bring both gardens back into the same family and own a wonderful home, while living close to Iain’s parents.’ Having dug deep, Emma, an interior designer who owns Hattie Hatfield Decorative Antiques & Interiors, and tree surgeon Iain, bought the property. ‘Although the house was lovely, most of the original fireplaces had been blocked up during the Seventies, and, somehow, with all the changes that had occurred over the years, it seemed to have lost its sense of identity,’ says Emma. Keen to inject the house with the character and soul they felt was lacking, the couple began their sensitive restoration project. The first room to be updated was the Nineties kitchen. ‘We replaced the dark ceramic floor tiles with limestone flooring, which we continued into the hall to give a sense of cohesion and lighten the spaces,’ explains Emma. Iain removed a small gas fire in the kitchen and spent weeks painstakingly building a stone fireplace from scratch. ‘This was the first of five previously bricked-up fireplaces to be reinstated,’ says Emma. Not long after the kitchen was finished, the pair were forced to turn their attention to the bedrooms. ‘One day, I walked in to hear the sound of gushing water and, on closer inspection, found that a header tank in the loft was overflowing,’ says Emma. ‘The carpets in two of the bedrooms and landing were soaked. ‘Fortunately, I caught the problem before the water ruined the new kitchen and, luckily, only the ceiling in that room was damaged.’ Once the repair work was completed, Emma was able to focus on the decor for the bedrooms. ‘I felt warm, muted colours would work well to create a calm, relaxed feel, so I chose a subdued palette with lots of layering to inject depth and interest,’ she says. Over the years, the pair have poured their hearts into creating a home full of antiques. ‘Iain has turned his hand to everything from the plumbing and electrics to building work,’ says Emma. The house has constantly evolved, particularly since the arrival of Tillia, now nine, and Tobias, now seven. ‘When the children came along, Iain turned an annexe into a snug and added a home office,’ says Emma. This hard-working couple’s devotion to their restoration has culminated in an exquisite home that’s welcoming and sophisticated yet family friendly. ‘Iain and I feel incredibly privileged to play even a small part in its rich history,’ says Emma. ‘It’s wonderful to see the children running carefree across the lawns with our dog, Hattie. It was clearly a great investment of Iain’s time all those years ago.
News
by Erdem Gorgun on Nov 08, 2019
When they first viewed the property that was to become their much-loved Hamptons holiday home, Ian Ferguson and Ryan Brandau weren’t overly impressed. ‘It wasn’t love at first sight, but our broker was convinced that the house was right for us and she could envisage something beyond what we were seeing,’ recalls Ian. The couple had been in a long-distance relationship between New York and California for several years before settling on an apartment in Manhattan, and wanted to complement their city lifestyle with a retreat in the Hamptons to be shared with Ian’s parents. ‘We love tennis and one of our criteria was for a court and a pool,’ adds Ryan. Clad in shingle and featuring multiple gables as is the New England style, the house was repainted to refine its architectural qualities. ‘It was originally pale, which exaggerated some of its weird shapes – as if it were all roof and no walls. By painting it a darker colour, closer to the roof, we toned it down and made it look a bit more thoughtful,’ says Ian. The house had been built in the early Noughties, but lacked the architectural detailing the couple craved. A year after they bought it, an overhaul of the basement triggered the extended project. Sarah Zames, of the interior design firm General Assembly, was recommended and became the linchpin of the redesign. ‘One of the priorities was to create more architectural interest internally,’ says Sarah. ‘We wanted to add texture and colour, giving each room an individual character.’ The property was stripped back and given a new floor plan with fewer walls, instilling in the house a more sociable, loose character. ‘We tried to expand and connect the spaces as much as possible,’ she says. ‘Previously, the kitchen was small with the dining area next door relatively constricted and a sprawling main room that hadn’t been put to good use,’ says Ian. Sight lines became important so that anyone cooking would be able to see out onto the porch and tennis court beyond. Upstairs, the landing ‘catwalk’ was widened, while bedrooms were made bigger and en-suite bathrooms added. In terms of decor, the couple aimed for a relaxed look that would appeal across the generational divide. ‘We wanted the interior to have a sense of fun and although we felt it should be beautifully designed we didn’t want it to feel stuffy or intimidating,’ says Ian. Across the ground floor indoor/outdoor rugs have been used while much of the upholstery is from Holly Hunt’s outdoor range, making it impervious to the scratches of Tux, Ian and Ryan’s dog. An emphasis on craftsmanship and natural materials has also reduced the formality of the highly designed spaces, as Sarah explains, ‘The marble of the dining table is a feature, while all the built-in furniture is made of smoked oak, with the floors of a lighter bleached oak.’ White walls delineate the crisp planes of the slanted ceiling in the main living area with a host of Farrow & Ball colours giving bedrooms individual character. The paint is not the only British touch, with new London projects by General Assembly bringing a transatlantic influence. ‘We discovered several furniture designers at London Design Festival and the wallpaper in the cloakroom is from House of Hackney,’ says Sarah. Many months after its completion, Ian and Ryan continue to be enthralled with their retreat. ‘We love the fact that even if there are 20 guests staying, we’ve used the idiosyncrasies of the architecture to create a private nook for everyone,’ says Ian. ‘It’s great seeing the house unfold and be used as we planned.
News
by Erdem Gorgun on Nov 06, 2019
WEATHERBOARD WALLS AND WHITEWASHED INTERIORS HAVE BREATHED NEW LIFE INTO A FIFTIES HOUSE, TRANSFORMING IT INTO A RELAXED COUNTRY HOME WITH AN EAST COAST FEEL.
With its weatherboard cladding, peak-roofed dormer windows and Atlantic grey exterior paint, this house would look at home in a New England town on America’s East Coast. In fact, it’s tucked down a narrow track in a hamlet in the heart of the Chiltern Hills, close to Marlow and with views across open countryside. It’s home to Sue and Tony Blakeley, who spotted it three years ago when property renovation expert Sue was looking for a new project. ‘We’ve lived in the Buckinghamshire countryside since our boys – who are both adults now – were tiny,’ says Sue. ‘Our previous five renovations became family homes that we lived in over three decades. When we saw this house, with its paddock, the location and views were a big attraction.’ Inside, the decor was very dated, with dark brown carpets, lino floors and exposed brick walls. Still, Sue could see the house’s potential. It was a huge project that she had to fit in around her work commitments. ‘We lived through all the changes, escaping to our bolthole in France whenever it became too manic!’ Over the next three years, Sue reconfigured the layout and project managed the build. Plans involved knocking through three reception rooms to create a spacious 100sq m kitchen-diner, which is filled with light from four double doors at opposite sides of the space, crafted by a local joinery company. Sue and Tony also created a snug at the far end, in place of the double garage that previously adjoined the kitchen. ‘The butcher’s block came from our lovely local butcher Nick, who was refurbishing his shop in West Wycombe at the time,’ says Sue. ‘I had the island custom-made out of quartz stone, so it’s the same width as the butchers block, and I’m a big fan of Neptune’s pantry cupboards. ‘There was a lot of wasted space in the loft, so we took the roof off and put in dormer windows on both sides to maximise the beautiful countryside views where there previously weren’t any,’ adds Sue. ‘This helped create the New England style, together with an insulated and weatherboard cladding exterior. Parts have also been rendered and painted grey, and we used reclaimed tiles and bricks to create a more aged appearance.’ In the living room, a wood burner, wall of books and walls painted in a dramatic punch of colour, with soft pink throws and scatter cushions, create a warm atmosphere. Upstairs, Sue chose a soothing, neutral backdrop for the bedrooms, adding pops of colour with accessories and furnishings. ‘I’ve always loved the colour grey, it’s a calm tone to live with and I’m known for using a lot of it in my projects,’ says Sue. ‘I’m inspired by classic English design and French influences and I feel passionate about breathing new life into beautiful old buildings or neglected properties.’ The garden was largely a blank slate when they arrived, with a few raised timber beds and an overgrown field at the rear. Sue has designed a traditional parterre garden at the front, with clipped box hedging, box balls and olive trees. ‘The front is a lovely spot to sit and enjoy a coffee or a G&T as it catches the last of the evening sun,’ she says. The raised lawn area near the orchard and paddock at the rear is surrounded by mature trees and open countryside. Here, Sue has designed an alfresco dining area, with a Big Green Egg barbecue, lanterns and furniture from her own garden collection. Sue and Tony also enjoy spending downtime at their holiday home in the Dordogne, where Sue is fond of attending local brocantes to hunt out French-style pieces for her projects and her home. But, despite her busy work schedule, Sue always finds time to enjoy her own home and garden with friends and family. ‘What I’ve really loved about this project is that I’ve been able to install so many sets of glazed doors to bring the outside in.
News
by Erdem Gorgun on Nov 04, 2019
Patrick Overwijk has bravely juxtaposed the period features of his 18th-century home with bold mid-century design.
Seventies-inspired Versace wallpaper, bold lighting composed of oversized lightbulbs, and a porcelain cactus that borders on kitsch may not be what immediately springs to mind when you imagine the interior of an 18th-century Dutch townhouse. It’s exactly these surprising elements though, that make this family home so exciting. While most people would almost automatically team a breathtaking rococo ceiling (thought to be one of the most detailed in the region) with ornate, heavy antiques of the same period, the owners of this home, Patrick and Inez Overwijk, have adopted a more original approach.
Instead, Patrick has fully embraced his love of mid-century design, and statement furniture and lighting come into play in every room. What ties the scheme together is the subtle celebration of the house’s original features. Despite Patrick’s passion for the 1950s, 60s and 70s, since moving here six years ago, he’s been committed to unveiling its floors, ceilings and walls – many of which were hidden under softboard coverings and layer upon layer of paint. ‘The whole house was filled with old elements – from the kitchen tiles to the ceiling of the living room. It has quite the personality,’ he says. It was this rich sense of the past that originally drew Patrick to the house: ‘We always wanted an old house, filled with history. It was our dream.’ Historically, the property has been inhabited by local mayors and doctors, and it is said that one of the former inhabitants would monitor his ships, sailing for business in England, from the balcony at the top of the building. It is these romantic elements that hooked Patrick and Inez. Transforming the house for modern family life was no quick fix, Patrick admits. ‘It took almost four years to get to this point. When we bought it, floors were damaged and original elements had been lost. It was in bad shape.’ The renovation had to follow strict building regulations as the house is included in the register of Dutch protected buildings. Patrick didn’t let this hold him back though. ‘I carried out extensive research regarding which colours to use in the interior – hunting for old photographs of the house and scraping off old layers of paint to reveal the original colours.’ Happily, these shades included a spectrum of greens, which now frame the entrance hall, complement a Morris & Co wallpaper in one of the living rooms, and reflect the rustic feel of the kitchen. Elsewhere, walls are simple and white or – in the kitchen – covered in original Delft tiles. Walking from room to room reveals a potted history of 20th-century design. Key pieces include a desk and coffee table by the Dutch designer Cees Braakman, a leather chair by Norwegian designer Ingmar Relling and one by the British designer Geoffrey Harcourt. The lighting is similarly impressive, with designs by the l i kes of Verner Pa nton, Ach i l le a nd Giacomo Castiglioni and Gino Sarfatti gracing the ceilings. These pieces were created for function as well as form, and so are perfectly placed for robust family life. Despite being a house of historical significance, it’s undoubtedly cool and modern. And that in itself is no small feat.
News
by Erdem Gorgun on Nov 03, 2019
THE BACKSTORY
When deciding whether or not to renovate your kitchen, there are always reasons to put it off — despite growing collections of dog-eared magazines. For the couple who live in this Vancouver home with their oneyear-old son, having an open-concept kitchen with plenty of seating and kid-friendly finishes were the main motivators to finally take the plunge. “At the top of their list was a large island with seating and a designated bar area,” says designer Melanie Finkleman, who runs the Vancouver firm Hazel + Brown Design with her husband, Ben. With three boys of her own, Melanie was the perfect person to design a pretty kitchen that can withstand a few punches. Kid-proof quartz composite countertops are offset with a luxe Calacatta marble tile on the backsplash, where it’s less likely to get stained or dinged. “I used white for the counters and walls to create the illusion of boundless space,” says Melanie. Engineered white oak flooring is easy to maintain through the “uh-oh” moments a family throws at it. “The woods help balance the sophisticated finishes, creating a relaxed aesthetic,” she adds. Overall, the space is light and airy. “My favourite thing about this kitchen is how warm and welcoming it feels. This is definitely a place to enjoy spending time with friends and family.
News
by Erdem Gorgun on Nov 02, 2019
Janet and Paul Gleeson have filled their south Dorset village house with an eclectic assortment of antiques, modern art and trophies from their travels.
The first thing I remember about the house was walking into the drawing room and thinking, “This is fabulous”,’ says Janet Gleeson of the moment she and husband Paul first viewed the house that would become their family’s Dorset home. ‘It was a big step because we had always lived in London. We hardly knew anyone in Dorset and until then we’d worried we were doing the wrong thing. But the children had left home and we wanted a complete change and at that moment the realisation that this was the house was instantaneous – like falling in love.’ The three-storeyed red brick house hides behind a high wall in the centre of a picturesque Dorset village, not far from the coast. It was built c1760, to a conventionally symmetrical Georgian plan. A central corridor once led to the staircase, with two rooms on either side on each floor, and a servants’ attic. ‘Then, in the early 19th century, the owners must have wanted to aggrandise the house, so they added a new wing to the south, moving the front door, and installing a new columned porch made from local Purbeck stone. As a result, the layout became quite unusual. The stairs are now slightly oddly placed off centre, but we have a wonderfully spacious drawing room,’ explains Janet. The house was altered again in the early 20th century, when another wing was added to the north for a larger kitchen and more servants’ bedrooms. ‘It was probably around that time the panelling was installed in the drawing room. It gives the room its richness,’ says Janet. This is the backdrop for paintings that the couple have collected over the years.
Janet started her working life at Sotheby’s, later worked at Bonhams and as an editor for Miller’s Guides and now works on the Antiques Roadshow. The couple have always loved going to junk shops, auctions and galleries. ‘Our taste has shifted over the years, from 19th-century prints, watercolours and oils, to more modern works and anything with a local connection. One of our recent additions was a pair of oils of the local coastline by Elizabeth Muntz, an artist who lived in the neighbouring village and is buried in the churchyard.’ Janet is also fond of colonial furniture, having been born in Sri Lanka. ‘The Ceylonese-Dutch cabinet in the hall was inherited from my grandmother, but I bought the 19th-century specimen table that was made in Ceylon (as it was then) in a local sale. The table was in pieces and had to be carefully restored,’ she recalls. The couple also like to contrast old and new, so the door to the drawing room is framed by abstract silk screens by John Hoyland and Albert Irvin that hang above a pair of Georgian-style demi-lune walnut tables. Janet’s career changed direction when she left the salesrooms to become a writer. The study is where much of her working day is spent. Her favourite auction purchase is the huge bookcase that fills one wall. ‘I broke all my own rules – I bought it having not viewed the sale, on the telephone. I had measured the wall where it was to go, but I forgot to allow for the fact the skirtings protrude by several inches. I realised this only when the bookcase was delivered and we started to install it. Fortunately we were able to unscrew an electric socket and squeezed it in. It now looks as though it was made for the room!’ The couple are keen travellers and mementoes of various trips are dotted throughout the house. A model sailing ship in the dining room provides a dramatic focal point at one end of the room. ‘It isn’t as old as it looks. We bought it 10 years ago, in Hôi An in Vietnam. We went into a workshop – I thought we were going to buy a small carving, but Paul saw this and had it shipped over, saying he would keep it in his office. It was so big it wouldn’t fit, so here it has been ever since,’ says Janet. Upstairs, the bedrooms are furnished in a traditional style, with heavy linen curtains, antique and vintage furniture, some bought at auction or from dealers and other pieces inherited. ‘Our friends and children, who are all based in London, are always coming to stay. Our daughter was married in the garden, and now there are grandchildren too. The house has been perfect for gatherings and is so much a part of our family life it’s hard to remember a time when we didn’t live here. But recently we’ve had the urge for a new challenge, so we are moving to a derelict medieval barn, which in time we’ll turn into a very different home.
News
by Erdem Gorgun on Nov 01, 2019
A design team breaks with tradition to build a lakehouse thatshows cottage style in a whole new light.
NOT LONG AGO, even newly built cottages favoured a more traditional style, with lashings of gingerbread trim and smaller windows. The results were charming and cosy, butthey also tended to be dark and disconnected from the landscape. So when a couple with grown children who had children oftheir own confessed to Margot Bell and Dasha Ricci of Peaks & Rafters thatthey were ready to replace their family cottage with a design that emphasized light as well as the rugged surroundings,the designers, who specialize in cottage properties, immediately understood. “This was a dream projectfor our clients,” says Dasha. “They wanted something more contemporary.” Since they gravitated toward a modern look, Margot suggested Toronto architect Peter Berton of +VG Architects, whose contemporary sensibility matched the dynamic spirit ofthe project. The new onestorey cottage on Muskoka’s Lake Joseph has a low profile thattucks under a canopy oftrees and hugs the rocks. Peter calls itthe “Bridge House,” a reference to the suspended Muskoka room thatlinks the guest wing to the main cottage. To access the lake, one descends a stairway and passes underneath the room — a pathway that encourages a shift in mind-set. “It delineates a line between the urban life they’ve left behind and cottage life,” says Peter. “There’s a looking glass thing that happens, like you’ve crossed a threshold.” Margot points out that the walk is just as moving in reverse. “The cottage is equally beautiful when you walk up from the water,” she says. The interior’s expansive windows, complemented by natural materials and ample glazing, give the impression of being outside when indoors. “Even when it rains here, it’s bright without lights,” says Peter. “You can still see the lake — you can see everything.” A predominantly white palette enhances the effect and creates a loft-like gallery feeling, especially with the clients’ extensive art collection. The kitchen boasts sleek white, wood and steel cabinets from Italy, and contemporary and mid-century modern furnishings accent porcelain tile floors that have the look of polished concrete. “Contemporary style can be a little cool and daunting,” says Margot. “We tried to keep the warmth. Even though there’s steel and concrete, the cottage connects you to the outdoors and feels friendly.” Creating thatfeeling was key for the owners, who often entertain friends and family. “When they have a party, people floatfrom the cottage to the patio to the boathouse,” says Margot. “The property is beautiful for that kind of easy summer entertaining.” Setting the mood is as simple as taking a stroll under the bridge.
News
by Erdem Gorgun on Oct 31, 2019
LYNDA REEVES EXPLORES A RECIPE THAT MIXES IT UP.
Kitchen design has a way of bringing out strong opinions in many of us. Everyone has their view on exactly what they don’t like, plus a list of things they’re considering but wonder about. The investment is always big and the results permanent, so deciding what materials to use is especially critical in a kitchen renovation. Inevitably, the kitchens I gravitate to are handsome, with some classic detailing, heavy polished hardware, some feature appliances like a great range, a mix of painted and natural wood cabinets and always counters and backsplashes of natural stone — soapstone, granite, slate or marble — plus oiled or varnished woods. For the longest time, I’ve only ever considered real marble with a honed or half-honed finish for my own kitchen designs. Believing that imperfections and the inevitable scratches and stains would only enhance the patina of honed marble counters, I wouldn’t even consider a man-made alternative. But then, I also thought that jeans had to be 100 per cent cotton denim with no synthetic mix, and only pure linen pants would do, no matter how much better a little bit of Lycra could make them fit. I’ve totally changed my tune, just in time to avoid a dinosaur designation, because not seeing the huge advantages of today’s alternative materials would be crazy. Engineered stone is any man-made materialthat mimics stone. Itincludes brand names such as Caesarstone and Silestone, both manufactured from quartz and resin. The advantage to these surfaces is that they aren’t porous so they don’t absorb liquid, they don’t stain and rarely scratch, and they come in a huge number of great finishes with a wide range of textures and colours, including subtle shades from nature. You can create a larger surface with no seams than you can using natural stone. Even the biggest real marble slabs won’t cover a whole kitchen without multiple seams. The granddaddy of all composite solid surfaces is Corian, DuPont’s brand name for its groundbreaking material that debuted in 1971, which is now offered in more than 100 colours and can be installed to look virtually seamless.
News
by Erdem Gorgun on Oct 30, 2019
A relaxed approach to contemporary coastal style brings a sense of ease to this Palm Beach estate.
Cocktail dresses and formally arranged table settings are one way to throw a party, but sometimes entertaining is about inviting your guests to kick their feet up on the ottoman, throwing open the French doors to welcome in the breeze, and sharing wine and conversation while you chop vegetables at the kitchen island.That laidback—yet still elegant—approach to entertaining is exactly what interior designer Jennifer Knowles envisioned when she outfitted the interiors of this waterfront Florida home built by Malasky Homes. “Palm Beach has very classic leanings, and the people here love to entertain,” Knowles says. “We wanted to be in keeping with that classic approach while bridging the gap between casual and formal.” The inviting atmosphere begins at the front entrance, where guests are greeted by a “welcoming arms” staircase, a hallmark of the Bermudan architectural style that defines the home’s exterior. Inside, lengthy rooms, such as the 32-foot-long formal living room, are divided into intimate groupings to facilitate conversation. Generous windows, French doors, and balconies offer remarkable views of the Intracoastal Waterway on three sides and welcome the Florida sunshine into every room. “The entire house truly is awash in light,” Knowles says. “It doesn’t matter what time of day you’re there.” Rich millwork details and intricate ceiling treatments draw the eye upward to visually expand relatively low ceilings, a height requirement set by Palm Beach’s architectural review board. In fact, the first-floor ceilings top off at just a little under 10 feet, but exquisite millwork—such as the Art Deco-inspired pattern on the living room ceiling—stretches the visual height of rooms. Though the details are elaborate, Knowles achieved a crisp, clean look by painting each ceiling white. Walnut herringbone floors and tailored furnishings reinforce the home’s classic sensibility, while dashes of modern flair, supplied by abstract art and polished-nickel accents, prevent the home from feeling too traditional. “Mixing contemporary touches with classic lines keeps it fresh and timeless,” Knowles says. The result is a home that effortlessly toggles between black-tie events and impromptu gatherings with friends. “You’re sitting on the sofa looking out to the pool, then beyond to the water and the beautiful boats,” Knowles says. “You put your feet up on the upholstered ottoman and you just don’t want to leave.
News
by Erdem Gorgun on Oct 30, 2019
A relaxed approach to contemporary coastal style brings a sense of ease to this Palm Beach estate.
Cocktail dresses and formally arranged table settings are one way to throw a party, but sometimes entertaining is about inviting your guests to kick their feet up on the ottoman, throwing open the French doors to welcome in the breeze, and sharing wine and conversation while you chop vegetables at the kitchen island.That laidback—yet still elegant—approach to entertaining is exactly what interior designer Jennifer Knowles envisioned when she outfitted the interiors of this waterfront Florida home built by Malasky Homes. “Palm Beach has very classic leanings, and the people here love to entertain,” Knowles says. “We wanted to be in keeping with that classic approach while bridging the gap between casual and formal.” The inviting atmosphere begins at the front entrance, where guests are greeted by a “welcoming arms” staircase, a hallmark of the Bermudan architectural style that defines the home’s exterior. Inside, lengthy rooms, such as the 32-foot-long formal living room, are divided into intimate groupings to facilitate conversation. Generous windows, French doors, and balconies offer remarkable views of the Intracoastal Waterway on three sides and welcome the Florida sunshine into every room. “The entire house truly is awash in light,” Knowles says. “It doesn’t matter what time of day you’re there.” Rich millwork details and intricate ceiling treatments draw the eye upward to visually expand relatively low ceilings, a height requirement set by Palm Beach’s architectural review board. In fact, the first-floor ceilings top off at just a little under 10 feet, but exquisite millwork—such as the Art Deco-inspired pattern on the living room ceiling—stretches the visual height of rooms. Though the details are elaborate, Knowles achieved a crisp, clean look by painting each ceiling white. Walnut herringbone floors and tailored furnishings reinforce the home’s classic sensibility, while dashes of modern flair, supplied by abstract art and polished-nickel accents, prevent the home from feeling too traditional. “Mixing contemporary touches with classic lines keeps it fresh and timeless,” Knowles says. The result is a home that effortlessly toggles between black-tie events and impromptu gatherings with friends. “You’re sitting on the sofa looking out to the pool, then beyond to the water and the beautiful boats,” Knowles says. “You put your feet up on the upholstered ottoman and you just don’t want to leave.